Samstag, 18. November 2017

shroud eater - strike the sun

save the best for last. the fourth record i ordered at kozmik artifactz is such a rager. shroud eater's debut full length was a little surprise box to me. i read about the album on the vinyl diaries blog and just thought that the artwork was looking cool. when i saw the record at kozmik, i gave it a shot just to see if i might be interested. as soon as "iron mountain" was through, i knew i needed this piece. what a crushing behemoth of a doom metal song.
the band is a three-piece consisting of two girls on bass respectively on guitar and a guy on drums. all three are also performing vocals on the recording which adds a touch of more diversity. the rest is sludgy doom metal of the heavy kind. another band that came to my mind several times while listening to shroud eater was the mighty conan. the ultra low tuned string instruments are pounding out riffs of biblical proportions and the heavy drumming continuously reverberates amongst the madness.
check out this scorcher in its entirety here. what i have here is the 'not so standard' edition on cream, red and brown swirl. at the time it was the only available option at kozmik. by now they added some copies of the hand-numbered obi-strip edition. too bad for me because they look pretty good. anyway, this swirl edition looks sharp as well and i think the it's the nicest of the pressing. the gatefold is graced with disturbing yet beautiful artwork which is printed partly with an uv effect. great presentation all around. 250 copies made. stb records. 2017.

Mittwoch, 15. November 2017

asg - win us over

the third record of my little haul from kozmik artifactz aptly is asg's (amplification of self-gratification) third full length "win us over". this is one of the records i am actually after for quite a while now but somehow lost track on it along the way. when i searched for the monolord record it was an accidental find. "win us over" popped up among the search results and i thought it was finally time for me to snag a copy.
the album was actually released in 2008 on volcom entertainment. i never heard of the label and thought volcom was just a clothing company. obviously the guys at volcom also had some interest in music. anyway, it wasn't until six years later in 2014 that relapse records produced the first vinyl pressing for "win us over". in the mean time the band moved to relapse and had already released their first full length for the label in 2013 ("blood drive").
"win us over" is a brilliant stoner record from start to finish. the band members had a strict queens of the stone age and kyuss diet, it seems. still asg knows how to throw their very own ingredients into the mix. they strongly lean to the metal end of the spectrum when the singer deals some harsh shouts here and there. but the most of the time asg plays some high-nod-rate stoner rock/metal with beautiful melodies. check out the full album here.
for their first vinyl press relapse subtly changed the colours of the cover background from red/yellow to purple. don't know why they thought this was a good idea. some legal problems with volcom? i mean, it's not a big deal, just seems so random and therefore unnecessary. anyway, it's still a good cover that screams stoner rock. the vinyl colour is very nice. i think for splatter colour patterns, white is the best main colour. lovely white with multi-colour splatter out of 800 copies. relapse records. 2014.

Montag, 13. November 2017

monolord - rust

the mighty monolord is back. my wife always shakes her head in disbelief when the name monolord drops. to be fair, it is a quite stupid name but over time i think it grows into being just cool. names aside, i learned pretty early in the year that the swedish trio would come up with a new full length but this time i wasn't sucked into pre-ordering the record from sweden like i did with the predecessor "vænir".
after i pre-ordered "vænir" back in 2015, kozmik artifactz put up some opaque colours in their store and i always thought that it would have been cooler to get one of those. but i stepped back because i already paid enough for the band exclusive version. this time around i wanted to wait for kozmik to buy a copy from them and save on shipping costs. it worked out and so i ordered a mysterious "colour vinyl" copy not knowing what it would turn out to be.
as you can see, it came to be the opaque yellow version. musically monolord knows the score. upon first listen i wasn't completely convinced of "rust". the songs felt a bit dull. after repeated listens my opinion did a 180. the record crushes everything in its way and is such a laid back piece of doom metal at the same time - infectious to say the least. the closing riff of "at niceae" is representative for this contrast. crushing but laid back as well. check it out.
the record appeared on riding easy records, like all monolord records to this point. the label pressed numerous editions for "rust". as mentioned before i got a copy of the opaque yellow pressing out of 400 copies. nice shade of the colour. it is super bright. the fold out cover is made of sturdy matte cardboard which smells good (yeah, i smell at records too). a quality release all around. kozmik artifactz has some copies left. riding easy records. 2017.

Freitag, 10. November 2017

mother crone - awakening

first part of my order at kozmik artifactz mailorder. it is arguably the best stoner/doom/psych mailorder in germany and their supply is always perfectly up-to-date and exclusive in many cases. no difference this time. i start with the band mother crone from the united states and their debut "awakening". i stumbled upon this band via another fellow vinyl collector and his blog. the blog is called vinyl diaries and here i heard the first time of dhu records from the netherlands. it's a small d.i.y. label specialised on stoner, doom and sludge metal stuff. i searched thorugh their selection and came across mother crone.
i found the artwork cool and just because of that i listened to some songs of their album via their bandcamp. i liked what i heard and as i wanted to avoid the higher shipping from the netherlands, i ordered at kozmik artifactz instead. therfore i couldn't get my greedy hands on the most limited version but i think this "revelation edition" looks nice anyway. what does "awakening" sound like? it's a mixture of doom and stoner metal, mostly played in midtempo. a crusher. here and there the three guys venture into some progressive areas which really helps to add some freshness. a rock solid debut here.
the dark hedonistic union (dhu records) really put some effort into the presentation of "awakening". sturdy gatefold sleeve with thick spine. black poly-lined dust sleeve and really nice bone white with sea blue and oxblood splatter vinyl out of 100 copies. although the splatter was a bit more prominent in the mock-ups. anyway, all three colour-ways (including the more limited "black sea" edition) are still available at the label's bigcartel store. will keep my eyes peeled in the future for both, dhu and mother crone. dhu records. 2017.

Montag, 6. November 2017

gojira - the way of all flesh (blue/black merge re-press)

after the mastodon record of the last post another band out of my top five is honouring this blog. gojira. this french institution is unbeaten in terms of atmosphere, intelligent song-writing and sophisticated, yet philosophical lyrics. gojira never released any half-baked records, their discography is flawless. as the greatness of this band didn't go unrecognised among music fans, their recorded material is object to high demand.
listenable records didn't even press some vinyl for the initial release in 2008. the liscence to do so went to prosthetic records, which pressed some colour copies for the north american market. those copies fetch crazy prices on second-hand market places nowadays. listenable produced their first press in 2013 and keeps the record in press pretty regularly. i bought a copy of the second listenable pressing on clear with black and blue splatter two years back.
a good friend of mine shares the excitement for gojira with me and as a present i couldn't think of a better way than to get him his favourite gojira record "the way of all flesh". i was toying with the idea to get a copy of the new merge colour re-press anyway and so i gave away my clear splatter copy and ordered a new record at nuclear blast along with the recent cradle of filth release. the release date got postponed week after week until nuclear blast told me, that they wouldn't get any copies from the wholesale and then gave me a refund.
i got a bit nervous because all the german distros didn't carry any copies anymore. finally i reached out for the mother label. in the end i paid about ten bucks more because of the high shipping rates from france but i got a lovely blue and black merge copy eventually. this colour-way compliments the cover art superbly. great edition. unfortunately my printed dust sleeves are split on the edges but at least my cover sleeve is in great condition. got a little discount on future orders at listenable in return. we'll see when there is the chance to use it anyway. 700 copies made. listenable records. 2008/2017.

Freitag, 3. November 2017

mastodon - remission (gatefold lp)

no doubt, mastodon is among my top five of favourite bands and they are ranking pretty high. therefore it always was important to get all their full length releases on vinyl. i accomplished this goal two years ago and extended the collection with this year's release of "emperor of sand". so all the records sit on my shelf in the m-section, waiting right there for listening purposes. almost all. three years ago i bought the box-set re-issue of the band's debut "remission" dircetly from relapse.
as i feel that my box-sets deserve a special spot on my shelf, i placed them seperately. the problem was that this kind of ruined my full mastodon album set in the m-section. there were two possible solutions. first one was to place the box among the other mastodon records which was pretty much out of the question for me, second one was to get a regular gatefold version of "remission". the nerd-o-meter was heavily responding here and i knew it, that is why i was hesitant in the past.
i even let a purple and black spit copy of the sixth press slip through my fingers at blitz record store in kiel because i felt that i didn't really need another copy. but in terms of record collecting the word "need" is misplaced right from the start. of course, i don't need all my records but it's fun to have and to spin them. with this insight i embraced the ninth pressing that emp mailorder had to offer and finally filled the vacant space in my mastodon album set in the m-section. peace at last.
the re-press itself looks very nice. the two vinyl discs cut at 45rpm come on a colour-inside-colour pattern which is pretty en vogue these days. aqua blue inside ultra clear with multi colour splatter vinyl - wow, what a description. the cover sleeve features some artwork on gatefold inside and back which is not included in the box-set version. more reasons that tame my conscience. this pressing is limited to 1500 copies. crazy, ninth pressing and still the demand for these mastodon records is high. quality work here, i guess. relapse records. 2002/2017.

Montag, 30. Oktober 2017

cradle of filth - cryptoriana - the seductiveness of decay

the twelfth album of cradle of filth. pretty impressing number, especially when the numerous e.p's, compilations, dvd's and other odds and ends releases are not even taken into consideration. nevertheless i wasn't overly excited when the pre-orders went live. since "hammer of the witches" couldn't stand the test of time - great songs like "right wing of the garden tryptich" or "yours immortally" overshadowed a few weaker songs at first glance - my expectations weren't going through the roof.
when i finally ordered a copy, the album was even already released and i put it in the cart just because i had to make the order worthwhile with a second record. considering that the last real good cradle album was released almost ten years ago ("goodspeed on the devil's thunder") and that records without guitarist paul allender tend to suck - to be fair there are actually quite a few weak cradle releases that feature allender as well - chances for a return to form seemed faint. but these bad omens seemed to be all the band needed to prove me wrong.
oh boy, "cyrptoriana - the seductiveness of decay" is a rager all the way through. when i said that "hammer of the witches" could be good after a few spins (and came out to be "ok" in the end), all i needed was one run-through to recognise that this record was all i wanted from a cradle of filth piece. the song quantity was lowered, songs got lengthier and thus more complex and that seemed to be the trick. seven lengthy pieces of gothic horror - intense, fast, epic and heavy. check the single "heartbreak and seance".
lyrically there is no concept story line, just the theme of the victorian age of great britain to which the lyrics are loosely connected. still, these kind of short stories are a really interesting read and the perfect match for the fantastic music. the presentation is quite nice. standard gatefold with the obligatory band pic on the inside - just the second time in the over twenty five year long existence that cradle recorded two albums in a row with the same line-up - a fold-out insert with lyrics and further artwork and lovely black and white split vinyl out of 500 copies. nuclear blast. 2017.

Samstag, 28. Oktober 2017

death - individual thought patterns

the newest installment in the death album re-issue series by relapse records. "individual thought patterns" is the fifth death full length and was originally released in 1993 on relativity records. relapse learned from the past re-issues and was ready to unleash a shit-load of vinyl options for this one, so i tried to choose wisely from what source i should get a copy. when the "human" re-press was released it was the last record i ordered directly from the label in the states. in the meanwhile they opened an european store which will spare me undesired shipping costs in the future.
but for "individual thought patterns" relapse again pressed a german retail edition which, unlike the last editions, promised to come on some nice colour configuration. emp mailorder offered some copies and i was there for the taking. the record arrived clocklike and after the first listen i was blown away. the record is the perfect successor of "human". the jazzy feel to their compositions got explored further and the technical skills of mastermind schuldiner and his version of the band for this record are breathtaking.
you all probably already did but if not, then check this record out, now! relapse did an awesome job with this re-issue, like always. the label especially loves its cover foil prints for the re-pressings. nile had them and most death records have them too. i like it. the vinyl itself comes on sharp clear red with black and white splatter out of 500 copies. there is also some bronze supposed to be in the mix but i am not sure about that. the fold-out insert comes with liner notes of ex-band members and contemporary witnesses. good work! relapse records. 2017.

Donnerstag, 19. Oktober 2017

the black dahlia murder - nightbringers

this band is regular as clockwork. every two years a new record and this procedure continues since the debut "unhallowed" from 2003. so without any confirmation, i prepared myself for a new album this year and wouldn't you know it, there was one in the pipeline. the new baby goes by the name of "nightbringers" and the first thing that let me burst with anticipation was the awesome cover art by necrolord a.k.a. kristian wåhlin. i wasn't a fan of the "abysmal" art concept and was therefore more than happy with this great artwork.
he also drew the "nocturnal" cover and in the face of the ten-year-anniversary of that classic dahlia record it seemed like the perfect idea to let the man go for "nightbringers". he did an outstandingly good job. so expectations were high. can "nightbringers" live up to that? partly. the album has some undeniable fantastic moments. songs like "of god and serpent, of spectre and snake", the title track "nightbringers" or "catacomb hecatomb" are pure gold.
on the other side songs like "jars" or "as good as dead" don't really click with me. don't get me wrong, this is complaining on a high level. of course, the album is a good listen - i mean, it's a black dahlia album after all - but i am not sure if i consider this full length a classic in ten years. well, that's just my opinion. go, pick up a copy and form your own on "nightbringers". vinyl variations are plenty for this eighth album of the band.
if discogs information is complete then there are at least ten different colour variations. i snagged the exclusive european mailorder edition on white vinyl. i ordered a copy as soon as pre-orders went up at emp and thus were too early for the impericon edition on opaque red with black splatter. as i didn't want to go through the hassle to cancel an order for another one, i stuck with my white copy and am happy with it. comes with a big poster. 300 copies made. metal blade. 2017.

Dienstag, 17. Oktober 2017

august burns red - phantom anthem

what a great band august burns red is. i saw them live again at this years reload festival and i am always amazed at how this band seems to fly under the radar. they got an afternoon slot and the crowd was pretty small for a band with such qualities. i wasn't complaining, lots of space to dance and sing-a-long. they played one new song and so my anticipation was rising for the new record. a fellow record collector tipped me off and so i pre-ordered my version at impericon mailorder.
the first thing that came to my mind after i spun the record for the first time, was that "phantom anthem" was packed with hits. their last record "found in far away places" was lacking memorable songs. i enjoy it every time i listen to it but afterwards there is no song stuck in my head. the new record has loads of such songs. it's the same august burns red recipe as always but there is something about it, i fail to explain. whatever it is, it makes the difference between a great record and a masterpiece. check out "frost" and "invisible enemy" and glance a slice of brilliancy.
there were a bunch of vinyl versions available throughout all kinds of internet shops. in hindsight i think i rather would have ordered the white with red marble version which seemed to be an european edition. anyway, my blue with gold marble copy looks pretty nice as well. the gold marble was quite tricky to photograph and looks better in reality. the gatefold sleeve is a standard affair but is sturdy and works well with the double vinyl set. fantastic album that i can only recommend to everybody slightly interested in heavy music. 500 copies made. fearless records. 2017.

Sonntag, 15. Oktober 2017

crowbar - equilibrium

i am always there to open my wallet when there is another crowbar re-issue coming my way. when such thing happens, i don't hestitate anymore. i made this mistake with the back on black re-issue of "sonic excess in its purest form" and am now dependent on second market copies coming around. so when i saw a re-press of "equilibrium" appearing in the high roller records newsletter it was obvious what i was going to do. this version right here is technically speaking a first press.
the italian label night of the vinyl dead, which is famous for their quality re-issues of metal albums that never got the vinyl treatment in the first place, is responsible for this nice platter. finally. the record is already seventeen years old but old crowbar stuff never fails to deliver. actually all crowbar stuff never fails to deliver. "equilibrium" is packed with that typical kind of sludgy, doomy and groove-laden metal which initially makes one think of no other band but crowbar. check out "glass of liquid pain" and the brilliant "down into the rotting earth" to get an impression.
of what i have heard and read about "equilibrium", the general opinion on this album is that it is probably one of the weakest crowbar albums. i really can't go conform with it. apart of the admittedly super bad artwork - i just can't stop thinking how absolutely dull the front picture is and the art on the insert looks as random as can be - this album is a scorcher. even the cover song of gary wright at the end is great. sturdy cover sleeve and insert with a subtle coloured vinyl. black vinyl with bird-shit splatter. mine is #314 out of 333 copies. night of the vinyl dead records. 2017.

Sonntag, 8. Oktober 2017

nile - in the beginning

i never bought just one single hammerheart records release and i think, i never bought any items via their store. still i get the regular newsletter of this label from the netherlands. for good reasons i am now sure of. in one of the more recent newsletters i got information about pre-orders for a new nile release. when it's about nile, i am all over it. doesn't matter what. therefore i was strongly interested in this compilation release called "in the beginning".
this release compiles their first mini album "festivals of atonement" from 1995 and their second demo "ramses bringer of war" from 1997. relapse records released this in 2000 but i didn't find any info on if it was after the release of "black seeds of vengeance" from the same year or before it. anyway, back in the day relapse licenced the vinyl rights to hammerheart records, which made it available on black vinyl only. now, seventeen years later, hammerheart re-issued it and i am happy as can be.
after a smooth pre-order process, i hold this lovely compilation in hands. "festivals of atonement" is such a strong release. it might even become my favourite pre-"annihilation of the wicked" material. especially "extinct" is a doomy, egyptian underworld scorcher. the "ramses bringer of war" demo can't hold up to but is good nile standard, which is still better than most other death metal in the world. the presentation is super slick with some gold ink on front and back cover and very nice "sand" vinyl, a.k.a. transparent beer vinyl. 300 copies made. hammerheart records. 2000/2017.

Freitag, 6. Oktober 2017

aversions crown - xenocide

another tech death album for my collection. this time it's about aversions crown third full length called "xenocide". this album and me had some sort of starting problems. before this record i never heard any tunes of this australian death metal monster. this had probably to do with the fact that there were never any vinyl versions of their previous albums. that changed with "xenocide". the difference to the usual pre-order procedure at nuclear blast was that there wasn't any pre-order process. nuclear blast simply put some imported u.s. copies in their store, right there for the taking.
like always nuclear blast had just a limited quantity of their u.s. pressings in stock - fifty copies all in all. this plus the missing of an european vinyl pressing made these copies high-in-demand items. i was unsure whether to get one or pass on it. i read a negative review and this kind of influenced my mindset towards the band. nuclear blast had a counter of how many copies were still available and when it was stripped down to only four copies, i couldn't resist anymore. with the record now in hands and after i listened to it a few times, i am happy that i bought it despite the initial bad taste in mouth.
"xenocide" is a great album. of course it offers the usual ingredients of the genre. nothing innovative here but aversions crown understand to write good songs. the lead guitar and the apocalyptic melodies are the main attraction. every song has depth and stands on its own. the only thing the band lacks is a bit more of individuality. for fans of the genre this is an absolute safe game. others i advise to take a listen at first. as for myelf i friggin' love this album. scorcher! check out a few songs here. the presentation is solid. gatefold cover with not so good artwork and lovely electric blue with red splatter vinyl out of 500 copies. funny how my second disc partially misses some splatter. nuclear blast records. 2017.

Dienstag, 3. Oktober 2017

archspire - relentless mutation

the next technical ambitious record on this blog. this time it's about the new archspire album "relentless mutation". archspire is a canadian band that crossed my path this year on my technical death metal kick. i found a copy of their second full length "the lucid collective" via a german record store and distro and joyfully recieved the information that the band was recording new material for their third full length. at some point, i believe two months ago, the label offered pre-orders for physical copies.
they had a blue and a blue with splatter variant on sale through the season of mist u.s. store and a clear variant through the european store. the rest were all black. ordering from the european store meant increased shipping costs because it sits in france, therefore i wanted to wait it out until some german distro had coloured copies on offer. a risky game because i didn't know if that was the case anyway. fortunately high roller records came to my rescue with this lovely opaque blue version.
the new album is a killer all the way through. the band stripped down their amount of songs from eight to seven but this isn't a downer at all, because these seven songs are all a tech death fan could ask for. uneblievably intense with an improvement of song writing. all songs are unique and so deliciously evil, i am completely blown away. one of the best records this year. check out "calamus will animate" and "the mimic well", my favourites. the music makes up for the weak cover art. 100 copies on this nice shade of blue. season of mist records. 2017.

Samstag, 30. September 2017

whitechapel - the somatic defilement

finally. finally someone had the sense to press the debut full length of whitechapel to vinyl. i remember lively how i discovered the band for me. it was 2008, i believe and it was the high time of a social network called myspace. through friends-lists i stumbled upon numerous great bands and one of them was whitechapel. they had two songs of their debut in their music player - the title track and "devirgination studies". i was playing them to death and ordered a cd copy via the amazon market place for cheap. then i played the cd and thus the whole album to death.
i still have my cd copy and every once in a while, after i listened to one of my whitechapel records on vinyl and the question arose, why there was no vinyl edition of "the somatic defilement", i grabbed the cd for a listen. so you may understand my excitement when i saw this very album on vinyl for pre-order at without a moments hestitation i made my way through the payment process and waited for the album to arrive. now i finally hold the lp in my hands and the album aged damn well.
it's a record without any flaws. the record is less progressive than their further output and way more direct but still with great technical skills and fantastic song writing. lyrically it's all about stories about women obsessed serial killers. that changed on further records but seems logical with regard to the band's name - whitechapel is the district in london where the infamous jack the ripper struck terror into people's hearts. the only little downer is the revised cover art, which metal blade used for their cd re-release from 2013. the original candlelight records release cover would have been cooler. on the other hand the vinyl colour looks sharp. 300 copies on tan marble a.k.a. "pale violet marbled" vinyl. metal blade. 2017.

Freitag, 29. September 2017

the dillinger escape plan - one of us is the killer

since i got into this musical entity of complexity and since i snagged two full length releases of them so far, i am always on the look-out for the rest of dillinger's output. these days i do not try to chase down a band's back catalogue as fast as possible, i won't rush things. there is simply too much stuff to buy and good things come to those who wait. in this case i was caught by surprise more than anything else. one day i got a message from a good friend with a picture of his copy of "one of us is the killer".
he said he just bought it in a record store with a voucher plus the store had a discount on all its items. these factors made for a pretty good deal on the record. the version he got sells for an average amount of round about thirty bucks on discogs and he snagged it for under the half of it. we got to talk a bit about the band and their unique sound and how we admire their innovativeness. but why am i telling you this? because the same good friend sent me another message a few hours later.
it contained a link to the german impericon shop and there it was: "one of us is the killer" brand new and on fancy white splatter vinyl for 9,99€. how could this be? a record that usually sells for at least the triple, still available after four years of its initial release and for a friggin' tenner. i don't know what's wrong with people but i threw this sucker in my cart as quick as i could and thanks to a friend i am now the proud owner of a shining copy of the dillinger escape plan's fifth album release. and what a strong record it is.
despite all complexity, all chaotic rhythms the band managed to even sound catchy in those moments. the actually real catchy and pop melodies among the chaos bring the second core element into their unique sound. check it out here. you won't be disappointed. the presentation is very elaborate. everything follows a black and white colour scheme. it all makes perfectly sense and feels valuable. sturdy sleeve and dust sleeve, insert in poster size, cd in slip sleeve and 180g white with black splatter vinyl. i have an euro pressing on heartwork music which is or was an imprint of bmg music. it was actually released on sumerian records and the band's own label party smasher inc. 2013.

Montag, 25. September 2017

arch enemy - will to power

i had some troubles with ordering a copy of arch enemy's new record, called "will to power". when pre-orders went live at some point in mid july, there were numerous options to choose from. there were also some box set editions. i am usually not the box set type, unless it is for a band i really hold dear. as this was not the case with arch enemy but i was (and still am) listening a lot to their last full length "war eternal", so i did consider buying a copy. the emp exclusive looked good and so i ordered one.
it was supposed to come with a slipmat, a patch, additional 7" and loads of more stuff. additionally the colour-way, clear with red splatter, was exclusive to this edition. quite a cool package. "so why do the pictures show a different vinyl edition?", you might ask. well, one and a half week befor the actual release i got an e-mail from emp with the message that the wholesale wouldn't deliver the box set plus a refund of my money. fuck that! not bad enough i wouldn't get the box but it would also be pretty difficult to get any other limited colour edition so close to release date.
fortunately the home label, century media, had some copies on gold vinyl left. not my favourite colour-way but in combination with the gold foil ink from the cover, i thought it was ok. was the only option left anyway. fast forward a few days and i got another e-mail from emp, now stating that it was all a mistake, the box was of course available and i had a week to buy it back. oh man, i was thinking. should i buy it back, cancel the century media order and all that? too much hassle, i decided plus i already invested the rest of the refund in another record. what a pain.
what's "will to power" musically about? well, it's that melo death metal that i already knew from "war eternal" with a little difference - it is not as good as the predecessor. when they don't play after their usual recipe, they're great. songs like "first day in hell", "dreams of retribution" and especially "reason to believe" are so good. the rest is a bit dull in my eyes. we'll maybe it'll grow on me. the presentation is buisness as usual apart from the super duper booklet. loads of great artwork and real fun to read along to the lyrics. gold vinyl limited 300 copies. century media. 2017.